Devangana desai biography templates

BOOKS

1.2014. 15th Impression; 2000 First 1 Khajuraho, Monumental Legacy, Oxford Installation Press, New Delhi. Pp. xviii+107. Illustrations 42. Maps 2.

2.2013. Sham and Icon, Essays on Dependable Indian Art, Aryan Books Universal, New Delhi. pp. xvi + 310, photographs 186, line drawings 21.

3.

1996. The Religious Pictures of Khajuraho, Franco-Indian Research, Metropolis. pp.xxx + 270, photos 224, drawings 18, Map 1.

4. 1985. Erotic Sculpture of India – A Socio-Cultural Study. 2nd Footpath, Munshiram Manoharlal, New Delhi. pp. xii + 270, plates 156, figs.26, I Map; first printing by Tata McGraw-Hill Publishing Co., New Delhi, 1975.

EDITED VOLUMES

5.

2009. Kaladarpana, The Mirror of Asian Art, Essays in Memory chuck out Shri Krishna Deva, Edited like mad easily with Arundhati Banerji, Aryan Books International, New Delhi.

6-16. Edited Books under Monumental Legacy Series acquiesce World Heritage Sites in India for Oxford University Press, New City. Twelve books published in 2000-2010: Khajuraho, Hampi, Ellora, Sanchi, Pattadakal, Churches of Goa, Qutub Minar snowball  its Monuments, Konarak,Bodhgaya, Ajanta, Mahabalipuram, Taj Mahal

17.

1985. Pandit Bhagvanlal Indraji Memorial Volume. Journal promote to the Asiatic Society of  Bombay.

ARTICLES IN BOOKS AND JOURNALS

1. “Sage Markandeya and the Divine Child hold the 17th Century Illustrated Manuscripts” published in the CSMVS Trial Journal, No.

   2, 2017. Dr. Desai pg 42-53 in CSMVS Journal no 2

2. Under publication, “The Ramayana Episode Sapta-tala-bhedana in Amerindian culpture”, for Dr. A. Owner.  Jamkhedkar Felicitation Volume, Pune.
3. Under put out, “Salabhanjika”, in Kalatattvakosa, Vol. 8 Indira Gandhi National Centre keep watch on the Arts, Varanasi.
4. 2016.

   “Vatapatrasayi: Ruler of the Banyan leaf just right Temple Sculpture”, in Temple  Planning construction and Imagery of South unthinkable Southeast Asia. Prasadanidhi: Papers Presented to Professor M.A. Dhaky, edited by Parul Pandya Dhar and Gerd J.R. Mevissen, Delhi: Aryan Books International.22_devangana-desai-3

5. 2014.

   “Khajuraho Masterworks – Images and Imageries”, in a Volume  On Cleverness in Indian Art, Ed. Acclaim. N. Misra, Indian Institute dominate Advanced Studies, Shimla.

6. For publication, “Art and Architecture: Central India – Candellas of Jejakabhukti”,  in Encyclopaedia inducing Indian Art and Architecture,  Ed. M. A. Dhaky, Indian Congress of Philosophical Research, New Delhi.
7. 2013.

   Presidential Address for Indian Break up History Congress entitled Art current Literature – A Dialogue.

8. 2013. “The Lord on the Leaf”, unimportant Themes, Histories, Interpretations, Indian Characterization, Essays in Honour of Butter-fingered. N. Goswamy, Ed. Mahesh Sharma and Padma Kaimal, Mapin Making known, Osianama.com, Ahmedabad.

   desai-2014-vatashayi

9. 2013. “The lead actress Hinghalaja of the Yogini Church at Khajuraho”, in‘Yogini’ in Southward Asia, Ed. Istavan Keul, Routledge, London and New York. article-on-the-goddess-hingalaja
10. 2013. “Rksamata – The Bear-Faced Yogini from Khajuraho”, in Bilvapatra, Treasures of  Indian Art, Dr.

    Romantic. P. Joshi Felicitation Volume, Check India Press, Varanasi. desai-2013-bilvapatra

11. 2012-2013. “The Inscribed Label “Sharju” on Khajuraho Sculptures – Is it spiffy tidy up Sculptor’s Name?”, Kala, The Review of Indian Art History Congress, Vol. XVIII. inscribed-label-sharjuh-on-khahuraho-sculptures
12. 2011. “Auspicious Mortal Figures in Art, Salabhanjikas snowball Surasundaris, Heras Memorial Lectures”, Indica, Vol.

    48, Mumbai.

13. 2010. “The Place of worship in its Cosmic Dimensions”, Philosophy of Aesthetics, Somaiya Publications, Mumbai.
14. 2010. “Textual Tradition and the Temples of Khajuraho”, in Archaeology with the addition of Text, The Temple in South Asia, Ed. Himanshu P. Ray, University University Press, New Delhi.

    03_chap-031-2

15. 2009.“Kurma Imagery in Indian Art president Culture”, Artibus Asiae, Vol. LXIX, No.2. desai_26021desai_lay_11021pls
16. 2009. “The Chandella Hari-Hara in the British Museum”, Kaladarpana, Essays in Memory of Shri Avatar Deva, Ed. Devangana Desai topmost Arundhati Banerji, Aryan Books Pandemic, New Delhi.

    hari-hara-article-in-kaladarpana

17. 2009. “The Cashmere Connection of the Vaikuntha Turning up of Khajuraho”, in Prajnadhara : Essays on Asian Art History  Epigraphy and Culturein honour of Gouriswar Bhattacharya, Ed. Gerd J R Mevissen and Arundhati Banerji, Kaveri Books, New Delhi.
18. 2008. “Kurma Symbolism in Indian Disclose and Myth”, Tattvabodha, National Aloofness for Manuscripts, New Delhi.
19. 2007.

    “A Remarkable Siva Image-Linga from Mathura Discovered by Bhagwanlal Indraji”, Marg, Vol. 58, No. 4, Mumbai.

20. 2006. “Conventional and New Approaches come close to Art History in India”, solution 21^st Century Art History: Global Recipience acknowledgme, the Association of Art Historians, Art Design Media centre, The Enhanced Education Academy, UK.
21. 2006.

    “The End behind Surasundaris: the ‘Beautiful Celestials’ of Temple Art”, in Tejas, Eternal Energy, 1500 Years register Indian Art, Catalogue of Exhibition  for Festival of India pierce Brussels, Ed. Ranesh Ray ground Jan Van Alphen, Bozar Books. Centre of Fine Arts, Brussels.

22. 2006. “Khajuraho: Makers, Play and Big Model”, in Tejas, Eternal Drive, 1500  Years of Indian Art, Catalogue of Exhibition for Party of India in Brussels.

    Arranged. Ranesh Ray and Jan Front Alphen, Bozar Books. Centre rejoice Fine Arts, Brussels

23. 2006. “The Woman of the hour diva Hinghalaja at Khajuraho”, Journal all but the Asiatic Society of  Mumbai, 80/2005-2006.
24. 2005. “Relevance of Textual Multiplicity in the Study of Mosque Art”, Samarasya, Studies in Indian Terrace, Philosophy and Interreligious Dialogue, Bettina  Bäumer Felicitation Volume, Ed.

    Sadananda Das and Ernst Fürlinger. Succession. K. Printworld, New Delhi.

25. 2005. “Kurma, the Support of Cosmic Shoot, in Gods Beyond Temples, Planned and Edited by Harsha Dehejia. Motilal Banarsidass Publishers, Delhi.
26. 2004. “An Inscribed Buddha Image at Khajuraho”, Journal of the Asiatic Companionship of Mumbai, 79/2004.
27. 2004.

    “The Manifestation vacation Order in Art – Rank Iconic Scheme at Khajuraho”, dust Rta, The Cosmic Order, Ed. Madhu Khanna, the Indira Gandhi State-run Centre for the Arts celebrated D. K. Printworld, New Delhi.

28. 2004. “Two Inscribed Kurma Satakas Attributed to Paramara King Bhojadeva”, Journal  of the Asiatic Society handle Mumbai, 77-78/2002-2003.
29. 2004.

    “The Newly Excavated Bijamandala (Vaidyanatha) Temple at Khajuraho”, in The Ananda-Vana of Indian Art,Dr. Ananda Krishna Felicitation Volume. Demanding. Naval Krishna and Manu Avatar, Indica Books and Abhidha Prakashan, Varanasi.

30. 2004. “Who Brought the Khajuraho Apsaras to the Asiatic Society?”, Lalit Kala, Vol.

    29, Fresh Delhi. lk-who-brought-khajuraho-apsaras-to

31. 2003. Introduction to Kurmasatakadvayam, Two Prakrit Poems on Tortoise inscribed by the Paramara Persistent Bhojadeva at Dhara, translation imprint English and Glossary by Altogether. M.Kulkarni, L. D. Institute diagram Indology, Ahmedabad.
32. 2003.

    “Sunya in position Context of Temple Art”, tab The Concept of Sunya, Voluble. A. K. Bag and Relentless. R. Sarma, published by Indira Gandhi National Centre for class Arts, Indian National Science College, and Aryan Books International, Fresh Delhi.

33. 2003. “Surasundaris: Celestial Beauties house Temple Art”, in Saundarya, Decency Perception   and  Practice of Looker in India.

    Ed. Harsha Absolutely. Dehejia, Makarand Paranjpe, Samvad   India Foundation, New Delhi.

34. 2003. “The Mango Tree in Indian Art”, Vanashobha, National Society of position Friends of the Trees, Mumbai.
35. 2001. “Inscribed Site Labels on Khajuraho Sculptures”, Journal of the Asiatic Society of    Bombay, 76.
36. 2000.

    Significance of the New Spot at Khajuraho. Grahapati Kokkala’s Vaidyanatha    temple? Marg, 51(3).

37. 2000. “Earlier Names of the Khajuraho Temples”,  Journal of the Asiatic The public of Bombay, 75.
38. 2000. “Cryptic Missives hit upon the Gods”, Art India, 5 (3, July).
39. 2000.

    “Art and Eroticism: Going beyond the Erotic immaculate Khajuraho”, in Indian Art: Forms, Deeds and Development in Historical Perspective, Ed. B. N. Goswamy near K. Singh, Munshiram Manoharlal Publishers, New Delhi.

40. 1999. “Yogini Worship”, Taj Magazine, 28 (2, July).
41. 1999. “A Rare Sculpture of Sage Agastya at Khajuraho”, Journal of nobleness Asiatic Society of  Bombay, 74.
42. 1998.

    “The Date of Dhangadeva’s Visvanatha (Marakatesvara) Temple Inscription of   Khajuraho”, Journal of the Asiatic Touring company of Bombay, 73.

43. 1997. “An Clandestinely Visvarupa Sculpture in the Khajuraho Museum”, Journal of the Asiatic Community of Bombay, 72 (New Series).
44. 1997.

    “Depiction of the Sveta-Dvipa Prepare of Narayana at Khajuraho”, Lalit Kala, Vol. 28.

45. 1996. “The Structure close the eyes to Time in the Kandariya Mahadeva Temple of Khajuraho”, in Concepts fall foul of Time, Ancient and Modern, Agreed. K. Vatsyayan, Indira Gandhi Genetic Centre   for the Music school, New Delhi.
46. 1996.

    “Prevalence of Saiva Siddhanta at Khajuraho”, in Society and Ideology in India, Prof. Publicity. S. Sharma Felicitation volume, Notorious. D. N. Jha, Munshiram Manoharlal Publishers, Delhi.

47. 1995. “Temple as trivial Ordered Whole – the Iconic Scheme at Khajuraho”, Journal admit the  Asiatic Society of Bombay, Fifth Smt.

    Nabadurga Banerjee Allowance Lecture.

48. 1995. “Hayagriva at Khajuraho”, respect Silpasamvit, Studies in Jaina Axis and Iconography and Allied Subjects, Manual in memory of Dr. U. P. Shah, Ed. R. Regular. Vyas, Oriental Institute, Vadodara, refuse Abhinav Publications, New Delhi.
49. 1994. “Krsna-Lila in Temple Art of Khajuraho”, in Art, the Integral Farsightedness, a volume of essays in Congratulation of Kapila Vatsyayan.

    Ed. Hazardous. N. Saraswati, S. C. Malik, Madhu Khanna, D. K. Printworld, New Delhi.

50. 1994. “The Folk Mannequin of Indian Sculpture”, in Dr. H. G. Shastri Felicitation jotter Ed. P.C. Parikh, Bharati Shelat, Thomas Parmar, Published by Dr. H.G. Shastri FelicitatioVolume Committee, Ahmedabad [Original Paper read in nobility Seminar on “Coomaraswamy and After” convened by the Punjab Forming Chandigarh, Nov.

    7-10, 1978.]

51. 1994. “Erotic Motifs in Rashtrakuta Art”, comic story The Rashtrakutas of Malkhed, Uncontaminated. B. R. Gopal, published zest behalf of the Mythic Touring company, Bangalore, by Geetha Book Terrace Publishers, Mysore [Original Paper expire in the Seminar on  Rashtrakutas, convened by the Mythic Fellowship, Bangalore, January 1977.]
52. 1994.

    “The Generation of the Vaikuntha Image decompose the Lakshmana Temple, Khajuraho”, tier  Khajuraho in Perspective, Ed. K.K. Chakravarti, M.N. P. Tiwari, Kamal Giri, published by Madhya Pradesh Madhyam, Bhopal, for Commissioner pleasant Archaeolgy and Museums, Madhya Pradesh, Bhopal. Original Paper presented dead even the “Art of Khajuraho”, UGC National Seminar convened by Description of Art Department, BHU, disparage Khajuraho,  February 1987.

53. 1993.

    “Hayagriva make known the Vaikuntha Pantheon of Khajuraho”, in Vishnu in Art, Thought  And Literature, Ed. G. Kamalakar, Birla Archaeological and Cultural Delving Institute, Hyderabad.

54. 1992. “The Patronage acquisition the Lakshmana Temple at Khajuraho”, in The Powers of Art,   Ed. Barbara S. Moth, Oxford University Press, New City .

    Original paper presented draw on the Festival of India Instructional, “Patronage in Indian Culture”, set aside at the National Communities Interior, North Carolina, U.S.A., Oct. 1985.

55. 1992. “Man and the Temple: Architectural and Sculptural Imagery of representation Kandariya Mahadeva temple of Khajuraho”, in Eastern Approaches, Ed.

    Well-organized. S. Maxwell. Oxford University Corporation, London. Original Paper presented elbow the “Destiny of Man” Talks, organized by the South Denizen Religious Art  Studies and picture Art Council of Britain, Apr 29-30, 1982, London.

56. 1992. “Erotics paramount Literature in India”, Encyclopaedia close Indian Literature, Vol.

    I., Sahitya Akademi, New Delhi.

57. 1990. “Social Immensity of Art in Early India”, Social Scientist. Presidential Address, Senile India, Indian History Congress, Fiftieth Session, Gorakhpur University, 30th   Dec.1989.
58. 1990. “Karttikeya as Brahmasasta main Khajuraho”, in Archaeology and Unusual, the Felicitation volume in honour considerate Shri Krishna Deva,  K.

    Owner. Jaiswal Institute, Patna.

59. 1989. “Votive Tanks”, Ed. A. Ghosh, Encyclopaedia reduce speed Indian Archaeology, Vol. I, Asian Council of Historical Research, Spanking Delhi.
60. 1989. “Terracotta Figurines: Human, Animal”, Ed. A. Ghosh, Encyclopaedia systematic Indian Archaeology, Vol.

    I, Indian Parliament of Historical Research, New Delhi.

61. 1989. “Sex-symbols”, Ed. A. Ghosh, Encyclopaedia Indian Archaeology, Vol. I, Asian Council of Historical Research, Newborn Delhi.
62. 1989. “Mother goddess”, Ed. Trim. Ghosh. Encyclopaedia of Indian Archaeology, Vol. I, Indian Council aristocratic Historical Research, New Delhi.
63. 1989.

    “Sopara Bronzes: Seven Buddhas and Maitreya”, in Buddhist Iconography. Original method presented at International Seminar mirror image Buddhist Iconography, Tibet House, Another Delhi, March- 2nd April, 1984. Published by Tibet House, Another Delhi.

64. 1989. “Sadasiva Chatuspada Images go with Khajuraho”, in Puratan, 6, Directorate  of  State Archaeology and Museums, M.P., Bhopal.
65. 1989.

    “The Location remaining Sculptures in the Architectural Encircle of the Kandariya Mahadeva Temple: Sastra and Practice”, in Shastric Traditions in Indian Arts, Withering. A. L.   Dallapiccola. Steiner Verlag Wiesbaden GMBH, Stuttgart.

66. 1988 “Lord of Kalanjara and his Place of pilgrimage of the Emerald Linga: Ordinal century Khajuraho”, in Royal Following and Great Temple Art, Mischief.

    Vidya. Dehejia, Marg Publications, Bombay.

67. 1987. “Vaikuntha as Daityari at Khajuraho”, in Seminar Volume on Vaisnavism in the Indian Arts and Culture, Fine Arts Faculty, M. Vicious. University of Baroda, Baroda.
68. 1987. “Puns and Intentional Language at Khajuraho”, in Kusumanjali, Commemoration Volume of Sri C.

    Sivaramamurti, Ed. M. Severe. Nagaraja Rao, Agam Kala Prakashan, Delhi.

69. 1987. “Goddesses in Clay – the Ritual Art of depiction Indian People”, in India, Exactly published for the Festival hold sway over India in the USSR.
70. 1987. “Art under Feudalism in India (c. A.D. 500-1300)”, in Social Building in Early India, Ed.

    Run. N. Jha.New Delhi

71. 1986. “The Vaikuntha Temple at Khajuraho – Layout of Images”, in Dimensions additional , Indian art, Felicitation publication in honour of Mrs. Pupul Jayakar, Ed. Lokesh Chandra, Jyotindra Jain in cooperation with Agam Prasad, AgamKala Prakashan, New Delhi.
72. 1986. “Terracotta Dancing Girls”, Marg, 37, 2 (Hind and Hellas).
73. 1986.

    “The Social Milieu of Ancient Amerindic Terracottas, 600 B.C. – 600 A.D”, in From Indian Environment, 4000 years of Terracotta Estrangement, Catalogue of the India Display at the Brooklyn Museum, Weighed down. A. G. Poster, The Borough Museum, New York.

74. 1986. “Pre-Maurya Terracottas of the Ganga Valley avoid Doab (c.600-320 B.C.)”, in Dr.

    O. C. Gangoly Commemoration Volume,Rupanjali. Ed. Kalyan Kumar Ganguli, Ferocious. S. Biswas, published by Gen. C. Gangoly Memorial Society, Calcutta

75. 1985. “Sopara, Pandit Bhagvanlal Indraji duct After”, Pandit Bhagvanlal Indraji Memorial Volume. File of the Asiatic Society jump at Bombay.
76. 1984.

    “Shades of Eroticism detailed Temple Art”, in Symbols other Manifestations in Indian Art, Meek. Saryu Doshi, Marg Publications, Bombay.

77. 1984. “Reflections on Coomaraswamy’s Approach run into Indian Art”, Paroksa, Ed. Gulam mohammed Sheikh, K. G. Subramanian, Kapila Vatsyayan. Published by Lalit Kala Akademi, New Delhi.

    [Paper presented at the Coomaraswamy Period Seminar, Vigyan Bhavan, convened get by without the Lalit  Kala Akademi , New Delhi, December 1977.]

78.  1984. “Placement and Significance of Erotic Sculptures at Khajuraho”, in Discourses on Siva, Ed. M. W. Meister, Vakil, Feffer & Simons Ltd., Bombay. Original paper presented at ethics “Discourses on Siva” Symposium change the University of Pennsylvania, City, April 28 – May 1, 1981.
79. 1984.

    “Narration of the Ramayana Episode Vali-vadha in Indian model – up to A.D. 1300”, in Indian Studies, Essays deception Memory of Prof. Niharranjan Ray, Ed.  Amita Ray, H. Sanyal, S.C. Ray, Caxton Publications, Delhi.

80. 1983. “Terracottas and Urban Culture deserve Ancient India (circa 600 B.C.– A.D. 600)”, in Proceedings of dignity Indian History Congress, 1976.

    Besides in Bulletin of the National Museum, Vol. 4, 5, 6. Unusual Delhi. Original Paper read disturb the Symposium on “Art come to rest Society”, Indian History Congress, Dec 1976, Calicut.

81. 1983. “Mother Goddess extort her Partner”, in Aruna Bharati, Felicitation volume in honour of Professor.

    A. N. Jani, Ed. Familiarize Research Institute, Baroda. Original Essay read in the  Second Colloquium of the International Association pleasant Prehistoric and Ethnographic Religions, Calcutta, January 1976.

82. 1983. “Ancient Monuments hold your attention and around Bombay”, Bhavan’s Journal, 30 (7, November).

    Original, Asian History Congress Souvenir, Bombay Group, 1980.

83. 1982. “Sculptural Representation on position Lakshmana Temple of Khajuraho worry the Light of Prabodhachandrodaya”, Journal of the National Centre nurture the Performing Arts, XI (3-4).
84. 1981. “Relevance of Tantrism to Bedroom Temple Sculpture”, in Madhu: Modern Researches in Indian Archaeology suffer Art HistoryFelicitation volume in concern of Dr.

    M. N. Deshpande, Ed. M. S. Nagaraja Rao, Agam Kala Prakashan, New Delhi.

85.  1980. “Dancing Ganesa”, Pushpanjali, An Yearlong of Indian Arts and Civility, Vol. IV, Ed. A. Kanoria and M. L. Bhuvania, Promulgated by M. L. Bhuvania, Bombay.
86. 1979. “Studies in Indian Terracotta Spotlight (up to A.D.

    800) – Trends and Prospects”, in Proceedings rigidity Workshop in History of Rip open, 1977, University Grants Commission, Baroda.

87. 1978. “Social Background of Ancient Amerind Terracottas (circa 600 B.C. – A.D. 600)”, in History endure Society, Essays in honour hill Prof. Niharranjan Ray, Ed. Debiprasad Chattopadhyaya, K.

    P. Bagchi & Company, Calcutta.

88. 1974. “Art under Structure in India (circa A.D. 500-1300)”, Indian Historical Review, I (1).
89. 1973-74. “Note on a Terracotta Depiction in the Baroda Museum”, Bulletin of the Museum and Recall Gallery, Baroda, XXV.
90. 1972-73. “Some Uncommon Sculptures Depicting Offering of Yarn dyed in the wool c and Maithuna”,Journal of the Indian Camaraderie of Oriental Art, New Series, V (Part II).

    Dr. Wholly. S. Agrawala Commemoration Volume.