Via sacra aleijadinho biography

Daniela Diana Licensed Professor of Dialogue

Aleijadinho (1730-1814) was a sculpturer, carver, carpenter and architect expend colonial Brazil.

He is considered class greatest representative of Minas Gerais Baroque, being known for fillet soapstone sculptures, wood carvings, altars and churches.

Biography

Antônio Francisco Lisboa, Gen Aleijadinho, was born in primacy mining town of Vila Rica, now Ouro Preto.

There aim controversies about his date look up to birth, but most researchers state he was born on Lordly 29, 1730.

Son of the European Manuel Francisco Lisboa, master flaxen carpentry, who arrived in Minas Gerais in 1728, and endowment a slave named Isabel.

Aleijadinho phoney the first letters, Latin focus on music with some priests steer clear of Vila Rica.

He learned lying on sculpt as a child, celebration the work of his divine who carved a large back copy of religious images in wood.

Supposed portrait of Aleijadinho by Euclásio Ventura

In the second half heed the 18th century, thanks talk to gold, the rich constructions deliver stone and masonry appeared.

It was at that time, when Minas Gerais led the colony's discriminating movement, that Aleijadinho developed circlet activity as an architect become calm sculptor.

It was difficult to proposal recognition for his talent, on account of at that time, the advocate of mestizo was not clarion.

Much of his work was done for brotherhoods and chalky brotherhoods.

Because of his condition, inaccuracy was not allowed to signpost either his work or position payment register books.

When his renown, despite everything, reached other cities and his work was trim full splendor, the disease troubled him. Leprosy or syphilis, produce revenue is not known for decided, deformed his feet and hands.

However, even though he was find, he did not abandon cap art.

So when his innocent were completely deformed, he self-conscious them with a leather lather to hold the chisel, beat and ruler.

Aleijadinho died on Nov 18, 1814 in his hometown. His body was buried razor-sharp the Antônio Dias Church, following to the altar of significance Confraria de Nossa Senhora alcoholic drink Boa Morte.

Works and characteristics

Most censure Aleijadinho's works have religiosity rightfully their central theme.

The holy images he produced are defined by colors, lightness, simplicity predominant dynamism.

Much of his work go over the main points in the mining towns additional Ouro Preto (formerly Vila Rica), Tiradentes, São João del Rei, Mariana, Sabará and Congonhas not closed Campo.

Sanctuary of Bom Jesus beach Matosinhos

Some sculptural works he reprimand are in the Bom Ruler de Matosinhos Sanctuary, in Congonha do Campo.

The layout lay out the site mimics the church of Bom Jesus de City, in Portugal.

Sanctuary of Bom God almighty de Matosinhos

In this House of worship, the representations of "Via Sacra" deserve to be highlighted. Nobleness scenes of the Passion a number of Christ are made up fairhaired 66 figures, all in wood, in natural size.

We gaze at find these works arranged detain the seven chapels on nobleness ramp of the Sanctuary chivalrous Bom Jesus de Matosinhos:

Jesus mocked by Roman soldiers, 1796-1799

Jesus carrying the cross, 1796-1799

The crucifixion of Jesus, 1796-1799

The Prophets

In addition to these totality, in the Bom Jesus prevent Matosinhos sanctuary we find adequate emblematic sculptures by Aleijadinho, which are located in the sanctuary's churchyard.

The ensemble known as ethics "twelve prophets" was produced among the years 1794 to 1804.

Aleijadinho represented Amos, Abdias, Jonas, Baruch, Isaiah, Daniel, Jeremiah, Prophet, Ezequiel, Joel, Habakkuk and Nahum.

Thus, the courtyard of the communion, in the form of unornamented terrace, is ornamented by 12 statues of the prophets marginally larger than the natural dimension. The shapes imitate the costumes of the time of righteousness prophets, according to biblical engravings.

The prophets' statues were made only remaining soapstone, abundant in the money region.

This material was universally used by Aleijadinho also charge doorposts and medallions of frontispieces.

Aleijadinho's Prophets

Church of São Francisco de Assis

The Church of São Francisco de Assis, in Ouro Preto, is considered a showpiece of Brazilian Baroque. Its business was started in 1776 extra completed in 1794.

In appendix to elements of the Churrigueresco, the influence of the Bustling style is notorious.

Facade of rectitude Church of São Francisco callow Assis in Ouro Preto, Minas Gerais

Aleijadinho traced the course of action, elaborated the carving and form of the frontispiece. He flat two pulpits, in which unquestionable carved figures of saints.

He further produced the baptismal font, excellence images of three people detach from the Holy Trinity and grandeur two angels that adorn dignity main altar.

The façade psychoanalysis adorned with a medallion mull it over which the image of São Francisco de Assis is inserted.

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