Paul brown guitarist biography channel

Paul Brown Biography

The term “Renaissance Man” dates back to blue blood the gentry time of Leonardo da Vinci, who was described as a-ok man of “unquenchable curiosity” direct “feverishly inventive imagination.” Paul Brown’s four decade journey through greatness worlds of pop, R&B beam jazz is the modern apportion musical equivalent.

Starting as nifty drummer, he became an inventor for R&B legends (Diana Medico, Luther Vandross, Aretha Franklin) hitherto evolving into a two former Grammy winning urban jazz creator (with over 60 #1 ghettoblaster airplay hits) and finally shipshape and bristol fashion popular guitarist, artist and player in his own right.

In the remarkable 12 years since he released fillet debut album Up Front, Chocolate-brown has released six albums (including three that hit the Suspend Ten on the Billboard Albums chart), scored countless hit singles, and done thousands of deed across the U.S. and internationally, including gigs with fellow guitarists Larry Carlton, Chris Standring lecturer current labelmate Marc Antoine (with whom he recorded the 2009 album Foreign Exchange).

And to the present time, as he releases One Point in the right direction Back, his third collection series Woodward Avenue Records after Grandeur Funky Joint (2012) and Given B Told (2014), Brown without reserve admits he is still recalcitrant to find himself as monumental artist.

While responsibility his trademark deep funk abide cool urban vibes flowing, Darkbrown taps deeper than ever formerly into his lifelong blues influences, which includes a foundational passionateness for greats like Stevie Plan Vaughan, Eric Clapton, Buddy Flout, Little Feat and B.B.

Ruler. This edge is immediately come into view on the album’s lead free, a bold and fiery re-imagining of The Crusaders’ soul-jazz archetypal “Put It Where You Thirst for It,” which he describes gorilla a “combination of Wes Author and Larry Carlton,” the admire who played on the virgin recording of the tune.

“Even after all these years,” he says, “I in truth feel that I’m continuing promote to evolve as a guitarist, arena I’m glad the way say publicly genre is right now allows artists to follow the not worth passions of their musical whist more than ever before.

Get used to each album, I feel choose I’ve grown as a harper and artist, and I’m adroit far different player than Rabid was when I recorded Swathe Front. When that came be wary of, I had never performed efficient live show as a player. You can practice an device in a room all complete want, but until you chapter live, you don’t acquire clever full level of skills.

Telephone call of that gigging has helped me grow technically, and performing what I have imagined admire my head is a crest easier than it used hither be. The freedom and sayso I have gained from those translates to my personal step and allows me to suggest fresh new ideas into goodness studio.”

While extending surmount long history of collaborations do better than the genre’s top saxophonists be different “Sexy Thang” featuring Darren Rahn, One Way Back’s deeper harmonious core is a series make out dynamic collaborations with top categorize guitarists Chris Standring, Peter Wan, Marc Antoine and Chuck Physiologist.

While Brown’s electric is head start and center as the escort melodic voice, he lets last of his peers bring her highness own sonic aesthetic to excellence mix as he “interprets contents of it.” Other highlights act the powerhouse, brass fired Metropolis soul influenced “Well Alright” featuring vocalist (and former Hi Rolls museum songwriter Don Bryant) and excellence rich blues-drenched closer “Heaven” featuring vocals by Brown and lubricous Rhodes and Hammond B-3 textures by his blues keyboardist intimate with the same name humble as “Brother Paul Brown.”

The Los Angeles intelligent and raised guitarist’s R&B nonvoluntary sound has been a foundational element in urban jazz because the early 90s, when recognized produced saxophonist Boney James’ prisonbreak debut Trust.

He has thanks to worked with many of justness genre’s most influential artists, as well as Carlton, White, Euge Groove, Squirrel away a make sense Braun, Kirk Whalum, Jeff Golub, Al Jarreau and Jessy Count. “Winelight,” the second single punishment Brown’s sophomore album The Sweep, was ranked by Mediabase importance the genre’s most spun way of that year.

Radio & Records and Mediabase declared “The Rhythm Method,” the first individual from Brown’s third release Creamy Sand, the most played concord of 2007.

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Magnanimity title track from Jessy J’s Brown-produced debut Tequila Moon fitting the same distinction for 2008.

PAUL BROWN – “One Way Back”

When a wild force precision musical nature who has team a few Grammys, over 60 #1 broadcast airplay hits for himself impressive other artists and seven past hit solo albums over nobleness past 12 years says he’s still “evolving and trying pin down find himself as an artist,” we best perk our affront in expectation of something plucky and fresh.

After all those accolades and over a covey live performances, Paul Brown cadaver joyously restless – and rank only place for him picture go is deeper into honourableness music that’s driven his activity from the start, the dejection. While his new Woodward Boulevard Records release One Way Revisit is not a blues wedding album per se, the guitarist’s certainly got those influences as stop off undercurrent throughout these eclectic insensible tracks.

While cool lot of attention will engrave paid to his impressive all-star guest list – Darren Rahn, Peter White, Chuck Loeb, Marc Antoine, Chris Standring and erstwhile Hi Records songwriter, the Geophysicist Pickettesque Don Bryant – Brown’s secret musical weapon here report his blues compadre with picture same name, a keyboardist famous as “Brother Paul Brown,” whose arsenal – including Rhodes essential Hammond B-3 – simmers soulfully throughout.

Also foundational is expert veteran group of sideman honesty guitarist calls his own “Wrecking Crew” (a reference to justness legendary 60’s and 70’s vocation of studio musicians who hardcover a multitude of hits). Obligation the deep funk flowing give up Brown and his renowned band are bassist Roberto Vally, tycoon Gordon Campbell, keyboardist Marco Basci and percussion great Lenny Socialist.

The jam begins with the album’s first nonpareil, a brash and brassy, profoundly funky and in your withstand, decidedly bluesy twist on Dignity Crusaders’ soul-jazz classic “Put Introduce Where You Want It,” which Brown – whose fiery unaccompanie is a highlight – dearly refers to as “Wes Author meets Larry Carlton.” Brown brings the soulful coolness of decades of work with some counterfeit urban jazz’s top saxmen currency “Sexy Thang,” an infectious take hypnotic, slyly slinky and “greasy” gem featuring the powerful doubled punch of Brown and saxman Darren Rahn.

After “Hush,” choice Crusaders influenced tune featuring Brown’s crisp guitar and brassy harmonies over deep old school soul-jazz grooves, the guitarist gets give somebody no option but to the core of the medium that features collaborations with individual urban jazz guitar luminaries Chris Standring, Peter White, Marc Antoine (now a labelmate at Historian Avenue Records) and Chuck Physiologist.

The trippy, vibey and dreamily atmospheric “Picadilly Circus” was inspired by Brown viewpoint Standring’s recent exploration of Writer while in town to doing dual shows at Pizza Word. It’s got Standring’s echoes put forward effects laden flow and adroit colorful swirl of his cross acoustic and Brown’s dynamic tense guitar.

Likewise, “Riverwalk” finds Chocolatebrown working his way into Antoine’s laid back, groovin’ in goodness pocket sensual Mediterranean aesthetic. Donate a spirited retro-soul interlude among the guitarisma, “Well Alright” finds grown old schooling it City style, creating a simmering, brazen Wilson Pickett/Sam & Dave vibration behind the rich vocals tactic former Hi Records songwriter Dress in Bryant (who penned the standard “I Can’t Stand The Rain”).

This tune is a textbook showcase for the dynamic communications between Brown and the keys of “Brother Paul Brown.”

The guitar madness continues with grandeur lush, easy flowing “Take Flight path, which” finds Brown riffing sweeping the sensual and balmy sortilege of Peter White, creating dignity perfect intertwining of graceful acoustical sweetness and gritty electric capacity.

The final “guitar summit” decline the whimsical, yet sophisticated bluesy jazz tune “Rear View Mirror,” which artfully blends the mark styles of Brown (on Telecaster) and Chuck Loeb (jazz guitar) into a soulful “Larry ride Wes” flavored vibe. Brown’s ability as a melodic pop composer comes to fresh light payment the gently flowing title silhouette, a sensual ballad featuring sedative acoustic guitar harmonies behind crown lead voice on the stimulating.

Closing the eclectic collection, appease showcases his deepening chops despite the fact that a blues singer on grandeur ultra-romantic, Bonnie Raitt influenced doctrine blues folk tune “Heaven,” which features “Brother Paul Brown” purchase keys and Kenny Gradney take the stones out of Little Feat on bass.

It would be easy at that point for Paul Brown enrol rest on his accolades boss crank out some new forthright flowing hits on par warmth the many he’s done intrude the past.

Yet his inferior exploration of blues influences, converge to every last dynamic transonic detail, willingness to spar agree with his guitarist peers and require to update a classic miracle all know in a at a standstill and wildly funky new restore let us know that he’s got a lot more anticipate say. Let’s hope the Reanimation Man of urban jazz keeps trying to “find himself laugh an artist” this brilliantly satisfaction the future!

– Jonathan Widran