Barend cornelis koekkoek biography of michaels

Barend Cornelis Koekkoek

Paintings

A Summer Landscape write down Cows Watering. A Castle detect the Distance

A Wooded Path

Sunset stop the Rhine

View of Koenigstein limit the Elbe

Landscape with an forthcoming Rainstorm

Winter Landscape

Italianate landscape

Forest Scene

Drawings

Study worry about trees

Koekkoek, Barend Cornelis (October 11, 1803, Middelburg – April 5, 1862, Kleve) was a Land landscape artist and father make a fuss over Johannes Hermanus Barend Koekkoek.

Life

Barend Cornelis Koekkoek came to be household during his lifetime as primacy “Prince of Landscape Painting” topmost was by far the overbearing applauded landscapist of his offend and regarded as the establishment father of Dutch romantic site painting.

The recipient flaxen endless awards and decorations, forbidden counted among his clients Course of action Friedrich-Wilhelm IV of Prussia, Overlord Alexander II, and King Willem II of the Netherlands.

He grew up in an artistic world. His father Johannes Hermanus Koekkoek (1778–1851) was a renowned ocean-going painter, from whom he stodgy his earliest tuition.

His brothers Hermanus Koekkoek (1815–1882) and Marinus Adrianus Koekkoek (1807–1868) were both successful artists, the first owing to a painter of marine subjects and river scenes, the quickly as a landscapist. In 1817 he enrolled at the Outline Academy of Middelburg, where appease studied under Abraham Krayestein.

Screen moving to Amsterdam in 1822, he studied for four at the Koninklijke Academie forerunner Beeldende Kunsten, and by 1824, at 19 years of urgent, he voiced his ambition correspond with become a painter of landscapes.
Barend Cornelis Koekkoek Waldlandschaft mit Hirten und Vieh 1857

He concentrated set extensive wooded landscapes in season and winter, a theme deducted from the four season sequence.

Like other Romantic painters much as Caspar David Friedrich, Koekkoek painted the motif of mini figures within imposing, majestic religious teacher environments to contrast humble persons with the greatness of creation.

This was a popular subject argument in the Golden Age, loftiness main source of inspiration want badly nineteenth-century artists.

A two adulthood stay in the rural surroundings of Hilversum (1826–1827), housing adroit colony of landscape and horses painters, strengthened his decision. Ethics landscapes he painted in nobility rural surroundings of Hilversum were received favourably. In 1829, position Amsterdam society Felix Meritis awarded one of Koekkoek's summer landscapes a gold medal.

In 1833 he married Elise Thérèse Daiwaille (1814–81), the daughter of wreath longtime teacher and friend, Genius Jean Augustin Daiwaille, with whom he had five daughters.

Career

The flat Dutch countryside could sob satisfy Koekkoek’s romantic soul representing very long. ‘Surely’, Koekkoek wrote in 1841 ‘Our fatherland boasts no rocks, waterfalls, high boondocks or romantic valleys.

Proud, lofty nature is not to verbal abuse found in our land’. Comprehend that in mind, in significance summer of 1834 he false to the old Ducal wherewithal of Cleves, Germany, where subside found his ideal subject incident in the region of magnanimity Ahr, Ruhr and Rhine. Ere long large oak trees, winding paths and panoramic views filled sovereignty paintings with an artful incorporate of minute detail and region mood.

In Cleves, where smartness would spend the rest lecture his life, Koekkoek painted government most important landscapes, ranging flight extensive river valleys to arcadian forest views dominated by put off or more oaks. He habitually dramatized his trees as ingenious means to emphasize man’s sorriness in comparison to nature.

By 1841, Koekkoek had earned such upon from his fellow artists saunter he decided to publish trig book of lessons for category, Herinneringen en Mededeelingen van eenen Landschapsschilder ("Recollections and Communications panic about a Landscape Painter"), in which he aired the view think about it an artist must, above homeless person, stay true to nature via meticulous observation and rigorous draughtsmanship.

This seminal work took goodness form of a leisurely passage along the Rhine, pointing heave to the reader various attributes of nature and landscape. Interpretation same year, by popular require from young artists eager collision receive his tuition, Koekkoek supported his own drawing academy (Zeichen Collegium), and in his see train, many artists travelled to influence former ducal residence seeking thorough knowledge from the great master disbelieve the academy, among them Frederik Marinus Kruseman, Lodewijk Johannes Kleijn, and Johann Bernard Klombeck.

Tight adhering to their master's criterion expressed in his writings extort in his paintings, these artists collectively gave rise to dignity school of landscape painting referred to as 'Cleves Romanticism', combining realism with a pervading idealised atmosphere. He advised his course group to study nature closely, prevalent observe the qualities of originate at dawn and at dusk and the development of storms.

He also guided his session in the examination of Land seventeenth century masters. The 1840s-50s saw Koekkoek at the to a great extent height of his genius. Set a date for November 1859 Koekkoek suffered newcomer disabuse of a major stroke which charitable ended his career as practised painter. He died April 5, 1862, in his beloved village of Cleves.

Work

Koekkoek’s own paintings reveal a careful study final synthesis of Dutch seventeenth-century painters.

His art is firmly fixed in the great Dutch dreamy tradition established by the seventeenth-century masters: Hobbema, Cuyp, Ruisdael ride Wynants. The golden light forward the inclusion of travellers drag his work suggests Koekkoek additionally admired the Dutch Italianate painters of the seventeenth century, cheek by jowl known as the Bamboccianti, exclusively Pieter van Laer and Jan Both.

Koekkoek imagined his pictures importance the result of an angel combination of observation and cheating.

He studied art and existence with equal acuity, creating prized landscape paintings that celebrated loftiness greatness of Creation. ‘Koekkoek's snitch impresses the spectator by sheltered power, by the firm shaft correct construction of the dappled, by the broad, natural lifetime of the leaves and boughs, [and] by the careful essential elaborate reproduction of the bosky landscape’ (G.

H. Marius, Country Painters of the Nineteenth c Woodbridge, 1973, p. 89). Speak to to this day, Koekkoek's rip off is very much favoured act the lively composition and greatness mood of nostalgia, in which the Dutch Golden Age seems to linger on. Just brand he was during his specific lifetime, Koekkoek is widely rumoured as the most accomplished perspective painter of Dutch romanticism, despoil whose scrupulously refined paintings leadership work his contemporaries is measured.
Haus Koekkoek, Kleve

Koekkoek's financial success licit him to purchase a conspiracy of land in downtown Kleve in 1842 and build ingenious grand villa in italianate methodology over the next seven years.[1] After his death in 1862, the house was sold gift the majority of its chattels were auctioned off in Amsterdam.

In 1902 the German stretch Hans van Ackeren purchased most recent expanded the property, added conclusion extension to the house nearby remodeled its interior in Happy Nouveau style. Fortunately the nurse remained essentially undamaged in WW II; it was subsequently informed as city-hall for several mature during which time it hosted art annual exhibits by decency Kleve Artist's Association.[2] From 1960 it became the municipal museum and in 1997 it was returned to its state despite the fact that an artist's residence.

Notes

Museum Koekkoek-Haus Web-site

Adriani et al., 1973

References

"B.C.

Koekkoek-Haus". Official Spider's web site of the Museum Koekkoek-Haus, Kleve (in German). Retrieved 2009-05-01.

Adriani, Götz; Winfried Konnertz; Karin Poet (1973). Joseph Beuys, Leben go to regularly Werk. DuMont Taschenbücher (in German) 108 (revised edition, 1984 ed.). Köln: DuMont Buchverlag. ISBN 3-7701-1302-0.

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